All the beauty and the bloodshed (2022) is a biographical film (biopic) about the photographer and activist Nan Goldin (US). In this film, the politically engaged director Laura Poitras shows the multilayered, traumatic, activistic and famous life of Goldin, now 69. The adage ‘The personal is the political’ characterizes both Poitras and Goldin, neither of whom ever hesitates to show the raw reality of existence as it is. Continue reading All the beauty and the bloodshed
art
Frans Vosman and the Arts
In the following blog, editor Tessa Smorenburg briefly describes how a lecture given by professor Frans Vosman shaped her everyday perception on the Arts and Care. Continue reading Frans Vosman and the Arts
Lotta Blokker’s ‘layered’ sculptures of human beings
Sculptress Lotta Blokker’s work It’s a Boy has featured on the Ethics of Care website for several years now. In July 2021, Blokker received the International Arkin Award, and a few months later she was chosen Artist of the Year (2022, the Netherlands). ((1)) These double honours are the occasion for Jeannet van de Kamp to look more closely at Lotta Blokker’s work, and also to discuss why this work is of interest to her, as contributing editor to the Ethics of Care website and as a researcher. Continue reading Lotta Blokker’s ‘layered’ sculptures of human beings
The Boundaries of Digital Care According to ‘Her’
In corona times phone or video calls have taken over face-to-face conversations. In the Dutch Journal Healthcare & Ethics, Tessa Smorenburg wrote the article The boundaries of digital care according to ‘Her’. Continue reading The Boundaries of Digital Care According to ‘Her’
Berlinde De Bruyckere’s Art in Coronatimes
The Belgian artist Berlinde de Bruyckere (Ghent, 1964) is known for her impressive sculptures, installations and drawings. Her work centers around concepts of the body and mortality. Continue reading Berlinde De Bruyckere’s Art in Coronatimes
Joker; When Tragedy becomes Comedy
Joker (2019) is not an ordinary superhero film. Rather than reinforcing the familiar dualism of the previous Batman films, Joker breaks down the hero/villain paradigm and replaces it with something more multifaceted and uncomfortable.
Continue reading Joker; When Tragedy becomes Comedy