Gaby Jacobs, member of the research network Critical Ethics of Care, presents a summary of her inaugural lecture Meaning in Spiritual Care (2020) in the following article.
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Joker; When Tragedy becomes Comedy
Joker (2019) is not an ordinary superhero film. Rather than reinforcing the familiar dualism of the previous Batman films, Joker breaks down the hero/villain paradigm and replaces it with something more multifaceted and uncomfortable.
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Girl, The everyday struggle of a transgender
The Belgian film Girl (Lukas Dhont, 2018) shares the intimate life of a fifteen year old girl named Lara. She dances at a renowned ballet academy in Belgium, and she hopes to fulfil her dream of becoming a professional ballerina. The film opens with her admission interview, wherein it is explained that she will be granted a trial period – because Lara isn’t just any girl, she is a transgender girl, born male.
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The fragile voices from the work floor. Care-ethical power issues reconsidered
Social worker Silke Jacobi MA considers in the summary of her care-ethical thesis (2019) the possibilities of more impact and (political) participation of the institutional care-worker in an ambiguous neo-liberal context. Continue reading The fragile voices from the work floor. Care-ethical power issues reconsidered
Care Ethics in yet a Different Voice: Francophone Contributions
The edited anthology offers translations of important texts, published by francophone care ethics scholars since the early 2000s. This gives readers a glimpse of the diversity of French-language care scholarship, and its unwavering commitment to showing that care is fundamentally political.
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Reflections on ‘Sorry we missed you’
Film director Ken Loach builds a strong case against the human cost of the gig-economy in his latest movie Sorry we missed you. It is also a thoroughly political film, about things we regard as ordinary, not seeing what is just in front of our eyes. It shows the essential vulnerability of human experience. The political nature of care ethics is paramount.
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