Frans Vosman passed away June 10, 2020 after a strenuous illness.
Film director Ken Loach builds a strong case against the human cost of the gig-economy in his latest movie Sorry we missed you. It is also a thoroughly political film, about things we regard as ordinary, not seeing what is just in front of our eyes. It shows the essential vulnerability of human experience. The political nature of care ethics is paramount.Continue reading Reflections on ‘Sorry we missed you’
‘You decide who you are’, Juan tells the young Chiron in one scene. But I wonder, what will appear if I look closer? The film Moonlight (Barry Jenkins, 2016) won three Oscars – including the one for Best Film, a first for a film with a cast consisting entirely of people of color. On top of that fact, the film also deals with overt Lesbian, Gay, Bisexual and Transgender (LGBT) themes, a controversial subject in conservative and predominantly white Hollywood. Moonlight tells the story of a young, homosexual Afro-American man who grows up in a poor neighbourhood of Miami, USA. Moreover it shows the complexity of finding one’s position in a masculine environment while having to hide your nature from the light of day. Continue reading Moonlight – Who decides who you are?
The Belgian film Girl (Lukas Dhont, 2018) shares the intimate life of a fifteen year old girl named Lara. She dances at a renowned ballet academy in Belgium, and she hopes to fulfil her dream of becoming a professional ballerina. The film opens with her admission interview, wherein it is explained that she will be granted a trial period – because Lara isn’t just any girl, she is a transgender girl, born male.Continue reading Girl, The everyday struggle of a transgender
The French movie Faces, Places (‘Visages, villages’ – 2017) by Agnes Varda, well known for her films co-setting the trend for the Nouvelle Vague, and by JR, a young and enigmatic photographer and street artist, is a many layered documentary that makes you wake up with a smile in the morning. Continue reading ‘A place gets a face’ – Agnes Varda’s attentive compassion with the social
Joker (2019) is not an ordinary superhero film. Rather than reinforcing the familiar dualism of the previous Batman films, Joker breaks down the hero/villain paradigm and replaces it with something more multifaceted and uncomfortable.Continue reading Joker; When Tragedy becomes Comedy
The Swedish movie The Square (2017) is a satirical and confronting perspective on modern, western culture. The director’s intention is not to offer moral critique, but rather to highlight the existence of compassion in daily practises. Continue reading The Square: Compassion for show