With great sadness we inform you that Frans Vosman passed away June 10, 2020 after a strenuous illness.Continue reading Frans Vosman (1952-2020)
The Belgian film Girl (Lukas Dhont, 2018) shares the intimate life of a fifteen year old girl named Lara. She dances at a renowned ballet academy in Belgium, and she hopes to fulfil her dream of becoming a professional ballerina. The film opens with her admission interview, wherein it is explained that she will be granted a trial period – because Lara isn’t just any girl, she is a transgender girl, born male.Continue reading Girl, The everyday struggle of a transgender
In 2016, the Dutch artist Yasmijn Karhof spent three months as artist-in-residence in the psychiatric ward at Kings County Hospital in Brooklyn NYC (USA). Integral to her artistic practice is the expression of the subjective experience of reality in a visual context.
Anyone wishing to respond to the passing of Frans Vosman and his meaning for care ethics, is cordially invited to share her or his contribution on our website.Continue reading Invitation
Joker (2019) is not an ordinary superhero film. Rather than reinforcing the familiar dualism of the previous Batman films, Joker breaks down the hero/villain paradigm and replaces it with something more multifaceted and uncomfortable.Continue reading Joker; When Tragedy becomes Comedy
At the end of 2018, CEC researchers and devotees attended a reading group, discussing Matters of Care Speculative Ethics in More Than Human Worlds (MoC) by Maria Puig de la Bellacasa (Minneapolis: University of Minnesota Press, 2017) Continue reading Reframing Care – Reading María Puig de la Bellacasa ‘Matters of Care Speculative Ethics in More Than Human Worlds’
In 2018, Carol Gilligan revitalized her In a Different Voice with two co-authored books about the persistence of patriarchy locking out democracy and relational care. Continue reading In A Different Voice: Act Two
Film director Ken Loach builds a strong case against the human cost of the gig-economy in his latest movie Sorry we missed you. It is also a thoroughly political film, about things we regard as ordinary, not seeing what is just in front of our eyes. It shows the essential vulnerability of human experience. The political nature of care ethics is paramount.Continue reading Reflections on ‘Sorry we missed you’